Wobble bass what is

To do this you will: Get a good bass that has lots of high accents. Drop down a EQ8 on the bass. Then take the 4th eq and make it an lfo. Then when you are in your midi clip you can draw out the lfo changes. Here are some other advance techniques to keep in mind: Having two basses, one being the sub bass, and then an accent bass with the wobble. Using the Multiband Dynamic Effect to add verb to the top of the bass and keep the low bass solid.

Always have your sub bass mono and in the center. Add crunch to your final mix or a redux to add a unique and phat sound. Facebook Twitter Reddit WhatsApp. New Weekly Specials Out! Shop Now. Skip to content. Please make a selection above. You already know that London-based sampling dons Prime Loops constantly deliver top notch material, but this dubstep sample pack is simply off the scale. Send your needle straight into the red and get completely crushed by the biggest, heaviest, wobbliest dubstep basslines ever produced!

This is that official infamous wobble bass sound that everyone's talking about. Are you ready to destroy car stereos and flatten every club to the ground? Then this one's for you! What's that lying on the floor? Forum rules By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein.

Users posting content here, do so completely at their own risk. Quick Link to Feedback Forum. Basically any parameter you link it to. Essentially you are just using the LFO to send a changing value to a parameter. Essentially you are taking a sound that can be an audio files, generated by a synth, etc and then passing it through a Low Pass Filter. Now what exactly does a Low Pass Filter do you ask? In general most plug-ins have various Low Pass Filter settings, where the more poles it has the more Dbs it will cut and will yield a harder knee to it.

However, you don't necessarily need a LFO controlling your Low Pass Filter Cutoff frequency value, you could just draw in the Automation yourself, but a LFO will yield a loop of consistent values and prevents the possibility of human error.

All the LFO is doing is sending a value to your frequency cutoff to keep it consistently changing. Sub bass wobble would normally be a Sine wave at around the Hz range which would repeat the same chords as the mid-range bass wobble. The only difference being that with a sub bass wobble there is no point in assigning the LFO to a Low Pass Filter because the sound is too low for the low pass filter to have any effect, so the LFO is assigned to the amplitude volume instead.

Another reason for not applying a Low Pass Filter to the Sub bass is because it would typically be a Sine wave which possesses no Harmonics to be adjusted by the Filter. The sound of an LFO can also be adjusted by the wave type you choose.

To get a nice sounding bass, it is a good idea to use as many oscillators as possible on different octaves. Try messing around with the attack and release of your sound as this can have an impact on the sound of the bass.

Long attacks tend to create a more ambient sound, and is a technique traditionally used with ambient pads.